product description:
This product treats you to the delights of Kuchipudi, one of the major streams of Indian classical dance that emanated from Andhra Pradesh. Essentially a dance-drama, Kuchipudi is known for its aesthetic amalgamation of pure dance or nritta , music and histrionics with which it enacts scenes from Hindu epics and mythological tales. This product has two sections: Soundarya Manjari - A Cluster of Pathra Pravesha Darus Here the quintessence of Pathra Pravesa Daru the entry item comes alive in a sparkling solo performance by Kalaimamani Uma Muralikrishna, a seasoned Kuchipudi exponent known for her flawless style and grace. Each item is preceded by a detailed description of the composition, the context and the character portrayed. Bhamane Sathya bhamane -Bhairavi-Misrachapu This piece from Bhama Kalapam , a legendary work by Siddhendra Yogi brings out the traits of Sathyabhama, the arrogant queen of Krishna. Vidalera Voyyarolu -Kedara Gowla-Ad Taken from Vipranaryana Charitham , this number exudes Shrungara rasa and describes how a devadasi gears up to seduce sage Vipranarayana. Tharuni Rukmini Vechanamma -Kalyani-Misrachapu An item from Rukmini Kalyanam , this number speaks about the beauty and poise of Rukmini, Krishna s consort. Mathurya Murali - An Exposition of Tarangams Kuchipudi is an ancient dance form of India that has its roots in the southern province of Andhra Pradesh that involves fast, rhythmic footwork and sculpture-like body postures. Essentially a dance-drama, it unfolds scenes from Hindu epics and mythology by combining music, dance and acting. This product unveils the nuances of Tarangam an important component of Kuchupidi through a pulsating recital by Kalaimamani Uma Muralikrishna, a highly acclaimed artiste. The highlight of Tarangam is that the dancer dances on the edge of a brass plate marked by nimble but complicated rhythmic patterns. Goverdhana giri dhara-Ragamalika-Adi This composistion of Narayana Theertha from Krishna Leela Tarangini describes how Krishna lifted a mountain with his little finger and sheltered the entire village under it. It also speaks about his boyhood pranks. Maragatha mani maya chela-Aarabi-Adi This lyric by Uthukadu Venkatasubba Iyer extols the charm of Krishna, his lure and the luster of his garment.
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